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Hi Reader, When I fell in love with a woman four years ago, I decided it wouldn't change anything about who I was. I had been with men all my life, and now I was with a woman. End of story. Nobody's business who I sleep with. That's the story I told myself until this year when my good friend Laura spoke about cultural aspects of queerness: how being queer shapes far more of us than our sexuality, and how many gay people go through very similar journeys without noticing. As a side-story, I shared how since childhood I had been careful about how I interacted with female friends, careful that they wouldn't think I was romantically interested. She laughed: "This would never cross a straight girl's mind!" Oops. It never crossed my mind that it wouldn't. If I had been careful about that, without even knowing why, what else had I been careful about, censored away? I spent decades editing myself so smoothly that I mistook the edited version for the original. This week is World Pride in Amsterdam, which is a wonderful reminder to embrace and celebrate our otherness. And, reflecting on all the podcast episodes so far, I even recognise how queerness, quirkiness, otherness help us to renounce the professional mask and façade. If belonging by default was never an option, it's been a life-long practice to find a different way of belonging. 🎤 Waiting for you on the Unprofessionalism podcast:Rob and I ended up talking about what he calls the puppet version of ourselves: the polished professional we hold up in front of the room so that if the room says no, it only rejects the puppet, never us. In 1996, Rob Evans walked into a room at Lufthansa to pitch to twenty German engineers, convinced he had no chance of winning the contract. His company was nearly broke, and his boss's parting advice had been "if you need money over there, sell something." So with nothing to lose, he put the puppet away and had fun instead. The engineers sent him into the hallway, called him back in, and knocked on the table: he was hired. When he asked why a great German airline would pick an American as their quality consultant, they admitted they would rather have chosen a German. But he was the only candidate who had any fun. What struck me most was Rob's distinction between two kinds of humour. Warm humour exposes us: if it's rejected, we are rejected. Sarcasm keeps us safely hidden behind a target. "Sarcasm is safe," he said. And so is professionalism: the safe and edited version of ourselves. The puppet. 🎧 Click here to listen to the interview📥 Download my 1-page summaryUP_030_Summary.pdfThat's it from my side. I hope to see you next week! And in the meantime: Happy Pride 🌈 Myriam
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What does it cost to be yourself — at work? The more we strive to be professional, the harder it becomes to connect to one another honestly, vulnerably — as humans. With my podcast and newsletter, I want to inspire the courage it takes to bring more of ourselves to work. Each week, I dig into moments of professional risk, from my own life, and from conversations with guests on my podcast, Unprofessionalism.
Hi Reader, I was at the lunch table, about to host a training, when the email came in. I asked my wife to open it for me because I didn’t know whether I had the capacity to take in what it said. It was the NO I had seen coming since the pitch, and still it hit me like a car. The bid was for a leadership programme reaching 1,500 leaders a year at an existing client, and it meant either tripling the project size or losing it. My body went into shivers, tension and heaviness, and it didn’t care...
Hi Reader, For one year, I have been preparing for the marathon that is scheduled for this Sunday. I put the mileage in, watched my diet, cross-trained other muscles, invested in the gear and invested the time and energy. And then my body sent me a sign. My back went three times in one week (in German we call it a Hexenschuss, a witch’s shot - how fitting!), which meant days of immobility when I couldn’t even tie my own shoelaces. Each time it got better and I tried to get back on my feet,...
Hi Reader, Last weekend I left a workshop in full drag make-up, wondering who I was. The Archives of Amsterdam had organised it, and I knew a bit about drag from having Charlie Robertson on the podcast (highly recommended, click here to play). He taught me about "work drag": the suit, the meeting voice, the confidence we perform at work. My transformation happened slowly, layer after layer of primer, foundation, highlights and shadows. I looked different for sure, but the transformation only...